Miss (the) Beach

photo by zieniu

Thanks to @natalya_filtzkovska for this wonderful picture.
Photographer: @zieniuphoto

We are publishing pictures from the following genres:
SWIMWEAR, LINGERIE, NUDE.

If you (model, photographer or designer) have pictures of that kind and want to get published in one of our upcoming issues, let us know:
info@furoremag.com

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FURORE Magazine
sensual · sexy · sophisticated

Now that’s redical!

Photo: Olga Sidorenko
Thanks to @photosidorenko for this intense picture.
See more of this photographer in FURORE Magazine Issue No 5.

We are publishing pictures from the following genres:
SWIMWEAR, LINGERIE, NUDE.

If you (model, photographer or designer) have pictures of that kind and want to get published in one of our upcoming issues, let us know:
info@furoremag.com

Follow us and stay updated:
FURORE Magazine
sensual · sexy · sophisticated

„Come here. I gotta show you something.“

Jeean Photography
Thanks to @jeeanphotography for this amazing shot.

We are publishing pictures from the following genres:
SWIMWEAR, LINGERIE, NUDE.

If you (model, photographer or designer) have pictures of that kind and want to get published in one of our upcoming issues, let us know:
info@furoremag.com

Follow us and stay updated:
FURORE Magazine
sensual · sexy · sophisticated

From „Reflection“

From "Reflection"
Thanks to @photosidorenko for this elegant picture.
See more of this photographer in FURORE Magazine Issue No 5.

We are publishing pictures from the following genres:
SWIMWEAR, LINGERIE, NUDE.

If you (model, photographer or designer) have pictures of that kind and want to get published in one of our upcoming issues, let us know:
info@furoremag.com

Follow us and stay updated:
FURORE Magazine
sensual · sexy · sophisticated

Peter „Piet“ Klassen

Interview Peter "Piet" Klassen
Excerpts from our interview with photographer Peter „Piet“ Klassen:

What inspires you? Which artists, models have moulded you and who would you like to meet?

One person that I know personally and who inspires me all the time is Martin Strauss. Besides him artists like Jenna Rütter, Wojtel Pruchnicke, Kessler Tran and others influenced me during the beginning stages of my career.

What is important for you when you choose your models?

Usually I already have a number of models, who suit or improve my portfolio in mind and with whom i am already in contact with. It is not just their look and beauty. I have to be able to imagine them in my kind of pictures as well, able to portray my concept.

How is the balance between shooting and postproduction?

As I mentioned earlier I give 100% while shooting and another 100% during postproduction. But honestly I think the postproduction takes more time as it requires more attention to detail and hard work but I thoroughly enjoy it so I don’t mind.

If you want to read the full interview, get your copy of FURORE Magazine here.

Hartmut Nörenberg

Interview Hartmut Nörenberg
Excerpts from our interview with photographer Hartmut Nörenberg:

Hello Hartmut, please give us some basic information about you and how your photo- graphy started?

My name is Hartmut Nörenberg. I’m a photographer and post-production artist based in the small village called Mülheim in Germany. It’s near Düsseldorf and Cologne. I started taking photos when I was quite young. But back then, as you can surely imagine, it was just for fun and not as serious as it is now. My father has also taken a keen interest in photography so he would always take me along with on trips and he’d show me many interesting things. I bought my first camera when I was 17 years old and back then I took lots of pictures of my current girlfriend. At first it was just a hobby but after one year I started shooting with some other friends and models. That was the time I became more ambitious in retouching and digital postproduction. I experimented with my own images before I got involved in different retouching projects which also included other pictures.

Erotic photography is …

… something that gives the audience the feeling to be part of the scenery and be live on set, it satisfies our voyeuristic needs with an artistic approach.

How important is the web and social media for you to market and promote yourself?
What do/did you do and what worked for you?

Social Media is important, but personal contacts and verbal, face-to-face communications are much more important. The biggest problem is that social media is hyping only stuff that is trending.

You need to spend a lot of time on connecting and networking, which in my opinion is too time consuming. Outsourcing social media is the most effective way to have time for new projects and take care of precious clients.

If you want to read the full interview, get your copy of FURORE Magazine here.

Jeremy Gibbs

Interview Jeremy Gibbs
Excerpts from our interview with photographer Jeremy Gibbs:

What is the philosophy about your photogra- phy? is there a general message or theme?

My philosophy is: ’Life is like photography, you use the negatives to develop‘. A friend once asked why my photographs were so ’dark‘ and up until then I had never thought of them as being dark in any way. But now I look at them and think maybe they are! I do have dark thoughts. But I think my photographs show hope. I hope that they are emotive and strong enough for one to look at and make up their own story. I photograph a moment in time, it should never be explained, it is up to the viewer to make up their own story.

What are you looking for when it comes to chosing models?

When I am shooting nudes I will be looking for a particular body shape that I feel will work best in the chosen location. For instance, in an industrial space a strong athletic body works well. I stay away from ’glamour‘ models, that look doesn‘t work in abandonment for me.

What do you like about your work and what would you like to improve?

When I first started shooting models in abandoned places 6 years ago there was maybe a handful of photographers working in this genre. These days it seems to be very popular but what makes mine stand out from the crowd I think is the models I use. A good model makes all the difference and I choose mine with great care.

What would I like to improve? Although I am known best for using only natural light and I do believe it returns the best results. But sometimes the low light in these locations ma-kes it impossible so I need to learn and start using strobes. Its next on my agenda. (smiles)

If you want to read the full interview, get your copy of FURORE Magazine here.

 

Ana Dias

Interview Ana Dias
Excerpts from our interview with photographer Ana Dias:

Do you see yourself as an artist and how do you get inspired?

I think of myself as passionate, expressive, bold, energetic, fresh and, hopefully, unique. I am an artist, of course! Regarding inspiration, I can get it from every single aspect of my life … From a travel, from a movie, from a song. There is no rule. But I feel that what inspires me the most and that makes me want to create is beauty itself, especially feminine beauty.

What is it like to shoot for PLAYBOY?
Is it a dreamjob and what is different to other shoots?

Working for Playboy is a dream job, of course! It allows me to work with the most amazing models in the world, to travel to breathtaking places, to meet new and interesting people and their cultures. Being a Playboy photographer I can do just that. And also, because I’m part of this big family, I got to meet my idol last year at the Playboy Mansion: Hugh Hefner!

At this time I have a webshow for Playboy UsA that is called “PLAYBOY ABROAD: Adventures with Photographer Ana Dias” and it is basically a diary of my life as a Play- boy photographer. In each episode I always have a different model, that is shot in a dif- ferent city, somewhere in the world. That was the best thing that ever happened to me! Each month I travel to a few different countries and it’s such a thrill! I find myself very lucky to be able to photograph and travel and make a living of it!

What are the pros and cons about being a female photographer in the erotic media business?

There are no cons! It’s quite useful, however, to be a women that photographs women because I understand the female body very well, and I know how to show it in the best possible way. Also, because I’m a heterosexual woman, there is no sexual tension in the shoot and so it’s easier to communicate with the models and reach the image that I envisioned in my mind.

If you want to read the full interview, get your copy of FURORE Magazine here.